At this she knew. "Poynton's on fire?" Fleda had had no one in particular in mind; she had never believed in the myrmidons; but the tone in which Mrs. Gereth spoke added to her suspense. "What did you do to them?"!

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. Fleda debated. "Are you so very sure she will?"

"I like that!" he laughed. "How came you not to let me know that you were there?" Owen had been blank a moment before, but he followed this argument with success—a success so immediate that it enabled him to produce with decision: "Ah, she's not that sort! She wants them herself," he added; "she wants to feel they're hers; she doesn't care whether I have them or not! And if she can't get them she doesn't want me. If she can't get them she doesn't want anything at all." "The honor and good name of a man you hate?"